Valentina Alvarado Matos (Venezuela, 1986)
Valentina Alvarado Matos works from an expanded notion of collage, combining analogue film, paper, and ceramics to explore the constant transformation of images and landscape. Her practice unfolds as a process of displacements, repetitions, and reappropriations in which memory, materiality, and migrant experience intertwine. Rather than fixing or classifying the world, her works embrace the transient, allowing chance and the specific temporalities of each material to participate in the making. Hands, gestures, and collaboration with others appear as ways of inhabiting the image from within. The result is a sensitive territory in continuous movement, where images emerge as open encounters rather than final conclusions.
Fotografía detalle, no termina de aorillarse
2025
Fotografía detalle, no termina de aorillarse
2025
Fotografía detalle, no termina de aorillarse
2025
Fotografía detalle, no termina de aorillarse
2025
Nuevos techos, #1, 2025
19 x 20 cm
Palm Tree being Slowly Crushed by a Wild Fig Tree, 2025
22 x 23,5 cm
Fotografía detalle, no termina de aorillarse
2025
Fotografía detalle, no termina de aorillarse
2025
Fotografía detalle, no termina de aorillarse
2025
Fotografía detalle, no termina de aorillarse
2025
Nuevos techos, #3, 2025
19 x 20 cm
Nuevos techos, #4, 2025
19 x 20 cm
Nuevos techos, #5, 2025
19 x 20 cm
Still de vídeo, arrojalatierra, 2021
B & W | Super 8 – HD / Digital 5.1 | Sound | 13’ 48”
Still de vídeo, arrojalatierra, 2021
B & W | Super 8 – HD / Digital 5.1 | Sound | 13’ 48”
Still de vídeo, arrojalatierra, 2021
B & W | Super 8 – HD / Digital 5.1 | Sound | 13’ 48”
levantamiento de una isla, 2025
30 x 21,5 cm
Palm Tree Being Slowly Crushed by Wilf Fig Tree, 2025
16mm. Single chanel projection | 6' 20"
Valentina Alvarado Matos (Venezuela, 1986)
Valentina Alvarado Matos works from an expanded notion of collage, combining analogue film, paper, and ceramics to explore the constant transformation of images and landscape. Her practice unfolds as a process of displacements, repetitions, and reappropriations in which memory, materiality, and migrant experience intertwine. Rather than fixing or classifying the world, her works embrace the transient, allowing chance and the specific temporalities of each material to participate in the making. Hands, gestures, and collaboration with others appear as ways of inhabiting the image from within. The result is a sensitive territory in continuous movement, where images emerge as open encounters rather than final conclusions.
Fotografía detalle, no termina de aorillarse
2025
Fotografía detalle, no termina de aorillarse
2025
Fotografía detalle, no termina de aorillarse
2025
Fotografía detalle, no termina de aorillarse
2025
Nuevos techos, #1, 2025
19 x 20 cm
Palm Tree being Slowly Crushed by a Wild Fig Tree, 2025
22 x 23,5 cm
Fotografía detalle, no termina de aorillarse
2025
Fotografía detalle, no termina de aorillarse
2025
Fotografía detalle, no termina de aorillarse
2025
Fotografía detalle, no termina de aorillarse
2025
Nuevos techos, #3, 2025
19 x 20 cm
Nuevos techos, #4, 2025
19 x 20 cm
Nuevos techos, #5, 2025
19 x 20 cm
Still de vídeo, arrojalatierra, 2021
B & W | Super 8 – HD / Digital 5.1 | Sound | 13’ 48”
Still de vídeo, arrojalatierra, 2021
B & W | Super 8 – HD / Digital 5.1 | Sound | 13’ 48”
Still de vídeo, arrojalatierra, 2021
B & W | Super 8 – HD / Digital 5.1 | Sound | 13’ 48”
levantamiento de una isla, 2025
30 x 21,5 cm
Palm Tree Being Slowly Crushed by Wilf Fig Tree, 2025
16mm. Single chanel projection | 6' 20"
Monday to Friday 11:00–14:00 | 16:00–20:00
Saturday 11:00–14:00
Tuesday to Friday. 11:00–19:00 h
Saturday. 11:00–14:00 h